COPY ASSISTANT ARCHIVE
COPY ASSISTANT PLUS

Excellent written English, including spelling and grammar.

What does it take to be a Copy Editor at Stelter?

Maintains records in Stelter systems as required.

Follows all established SOPs works within all established guidelines.

Adheres to standard industry and Stelter style rules and journalistic practices.

COPY ASSISTANT ARCHIVE

Helps maintain the editorial archive to ensure compliance with current tax laws, rates and editorial style.Applies Stelter research, direct response results and insights to the decision-making process.Collaborates with editors, designers and client success managers to resolve discrepancies.Proofreads and fact-checks publications to ensure they are grammatically correct and meet established style guidelines.Reviews and revises external and internal publications to ensure they are well-written and logically structured.Copyedits, proofreads and fact-checks external and internal jobs.Supports delivery of well-written, error-free content on deadline for nonprofit clients, such as universities and charitable organizations, that want to increase donations via planned giving (wills, trusts, etc.). We’re looking for a versatile wordsmith who is equally comfortable working in the digital and print realms and can learn multiple editing systems quickly, handle busy periods with aplomb and collaborate diplomatically with editors, designers and account managers. Springfield, MA 01103: Reliably commute or planning to relocate before starting work Location: One location.All qualified applicants will receive consideration for employment without regard to race, color, religion, gender, gender identity or expression, genetic information, national origin, age, disability, sexual orientation, marital status or any other category protected under federal, state or local law. We’re proud to be an equal opportunity employer, encouraging applications from people of all backgrounds. The Republican is committed to creating a diverse environment which reflects the diversity of the community we serve. The Republican publishes in print and digital seven-days-a-week and is affiliated with, which served 8.5 million visitors last month.

COPY ASSISTANT PLUS

Strong organizational, time management and communication skillsĭemonstrated success working in a deadline-driven environmentĪbility to work independently as needed and prioritize multiple tasks appropriatelyĮxperience with Adobe InDesign suite and Photoshop among digital skills needed ability to design and execute graphics a plus

Work on a variety of daily and weekly newspapers Spanish language skills a plusĬontribute to the planning and execution of multiple publications, including daily and Sunday newspapersĬurate story, photo and graphic content from multiple sources, including social media platforms, for use in print productsĭegree in journalism, communications or a related field or commensurate experienceĪt least 2 years of experience with a proven ability in writing, editing copy, writing headlines and producing high-quality newspaper pages command of AP style and grammar a must This is a part-time position working 3 or 4 days a week.ĭesign and paginate news, sports, business and feature pages, as necessaryĮdit copy, write headlines, edit and rewrite captions, proofread pages This lot represents a rare opportunity for collectors to own one of the primary texts used in making what many critics feel to be one of the greatest of all Hollywood films.The Republican Newspaper in Springfield, Massachusetts, has immediate openings for copy editors and page designers to join our Publications Hub with both print and digital responsibilities. There are also several additions and deletions to dialogue throughout, as well as queries regarding continuity. Provenance: Joel Adelman, long-time Coppola assistant (penciled note to verso of final leaf) Serendipity Books (Peter Howard's penciled notation to title page) the Richard Manney Collection.Īccording to the note from Joel Adelman at the end of this screenplay, this is Francis Ford Coppola's on-set working copy, ' not the shooting copy (which looks like a telephone book), but the screenplay copy used for addition, deletion, rough ideas, etc.' The title page is heavly annotated with notes regarding scenes to cut, rewrite, or add page 2 bears 6 panels of rough storyboard ideas other pages bear sketches of perspectives, set designs, and mise-en-scenes. Mimeographed Manuscript, second draft screenplay of The Godfather by Mario Puzo and Francis Ford Coppola, 173 pp, 4to, New York, Ma(yellow revision pages dated as late as March 19 bound in), heavily annotated throughout by Coppola in blue and black ink and pencil, bound in black gilt-lettered wrappers, mild wear to leaves, moderate wear to covers.

Copy assistant